ricky 🌎 23 🌍 inst 🌏 art

eternal–return:

At some point in life the world’s beauty becomes enough. You don’t need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don’t need someone to share it with or tell it to. When that happens—that letting go—you let go because you can. The world will always be there—while you sleep it will be there—when you wake it will be there as well. So you can sleep and there is reason to wake. A dead hydrangea is as intricate and lovely as one in bloom. Bleak sky is as seductive as sunshine, miniature orange trees without blossom or fruit are not defective; they are that. So the windows of the greenhouse can be opened and the weather let in. The latch on the door can be left unhooked, the muslin removed, for the soldier ants are beautiful too and whatever they do will be part of it.

Toni Morrison · Tar Baby (1981)

(via marsinsagittarius444)

imperfectlovesong:

imsomeguy1:

imperfectlovesong:

i thought the β€œAND THE CROWD GOES HOME” style jokes were very funny but unfortunately my autistic ass has now become obsessed with just spamming these emojis on everything i say for dramatic effect to an obnoxious level LOOK AT THESE GUYS β˜οΈβ€ΌοΈπŸ’―πŸ’ͺ☝️πŸ’₯‼️πŸ”₯πŸ’―πŸ’ͺβ€ΌοΈπŸ’―β˜οΈβ˜οΈβ˜οΈβ˜οΈ

but why there is no reason to do that πŸ˜€πŸ˜πŸ˜ƒπŸ˜„πŸ™ƒπŸ˜πŸ˜€πŸ˜„πŸ˜ƒπŸ™ƒπŸ˜„πŸ™ƒπŸ˜πŸ˜ƒπŸ˜πŸ˜ƒπŸ˜πŸ˜ƒπŸ˜πŸ˜ƒπŸ˜πŸ˜€πŸ˜πŸ˜€πŸ™ƒπŸ˜„πŸ˜€πŸ˜πŸ˜ƒπŸ˜πŸ˜ƒπŸ˜„πŸ˜ƒπŸ˜‰πŸ˜€πŸ˜‰πŸ™ƒπŸ˜ƒπŸ˜ƒπŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ˜ƒπŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜πŸ™ƒπŸ˜„πŸ˜€πŸ˜πŸ™ƒπŸ˜„πŸ˜€πŸ˜ƒπŸ™‚πŸ˜πŸ™‚πŸ˜„πŸ™ƒπŸ˜„πŸ˜ƒπŸ˜„πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ™ƒπŸ˜πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ˜ƒπŸ˜„πŸ™‚πŸ˜πŸ˜ƒπŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ˜ƒπŸ˜ƒπŸ™‚πŸ˜πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ™‚πŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜€πŸ˜„πŸ™ƒπŸ˜„πŸ™‚πŸ˜ƒπŸ˜ƒπŸ™ƒπŸ˜„πŸ˜€πŸ˜ƒπŸ˜—πŸ˜„πŸ˜€πŸ™ƒπŸ˜—πŸ˜€πŸ™ƒπŸ˜€πŸ™ƒπŸ˜€πŸ™ƒπŸ˜€πŸ˜„πŸ™‚πŸ˜„πŸ™ƒπŸ˜ƒπŸ˜€πŸ™ƒπŸ˜ƒπŸ˜„πŸ˜€πŸ™ƒπŸ˜€πŸ™ƒπŸ˜€πŸ˜„πŸ˜ƒπŸ™ƒπŸ˜€πŸ˜πŸ˜ƒπŸ™ƒπŸ˜πŸ˜€πŸ˜„πŸ™ƒπŸ˜πŸ˜ƒπŸ˜πŸ˜€πŸ™ƒπŸ¦πŸ˜„πŸ™ƒπŸ˜„πŸ˜€πŸ˜„πŸ˜ƒπŸ˜„πŸ˜€πŸ˜„πŸ™‚πŸ˜„πŸ™ƒπŸ˜„πŸ˜ƒπŸ˜πŸ˜€πŸ™ƒπŸ˜„πŸ˜ƒπŸ˜„πŸ˜ƒπŸ˜πŸ˜ƒπŸ˜„πŸ˜ƒπŸ˜„πŸ˜€πŸ™ƒπŸ˜„πŸ™ƒπŸ˜„πŸ˜ƒπŸ˜„πŸ™ƒπŸ˜„

image

(via morvay)

rthko:

“In 1984, a few years before his death, James Baldwin explained to an interviewer from the Village Voice that queers could see the precarity of heterosexuality, even as straights kept it hidden from themselves. ‘The so-called straight person is no safer than I am, really. The terrors that homosexuals go through in this society would not be so great if society itself did not go through so many terrors it doesn’t want to admit.’

As Baldwin saw it, it is not simply that straight people are suffering and in denial about it, but that heterosexual misery expresses itself through the projection of terror onto the homosexual. One way to think about this is that homophobia is the outward expression of heterosexual misery; a kind of subconscious jealous rage against the gendered and sexual possibilities that lie beyond the violence and disappointments of straight culture.”

-Jane Ward, The Tragedy of Heterosexuality

(via noxtheox)

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